Archi Galentz, Nikolai Nikogosyan and Gougen in “Niko” cultural center. Moscow 2016. (Photo by Oleg Tzerbaev)
Artistic Journeys through National Destinies
By Muriel Mirak-Weissbach
Special to the Mirror-Spectator – JUNE 23, 2016
BERLIN — This is a most rare art exhibition. Not focused on one artist or even a school, it presents the works of distinct individuals joined through family ties, whose creative endeavors trace out a multifaceted cultural itinerary across vast geographical expanses through decades of turbulent political and social developments. The show that opened in Berlin on May 14, entitled “Four Life Paths: Two Artist Couples in the Armenian Tradition,” is indeed something very special. The works displayed are by four artists whose lives span a century, from before the First World War to the present. Two are Genocide survivors from Western Armenia, who made their way across the Middle East to Yerevan, whereas the other two were born and raised in Armenia, studied and worked there and in Russia. Through their personal and artistic histories, one encounters life in the diaspora, struggles in the Soviet period and the challenges of the independent Republic of Armenia.
The artists are Mariam Aslamazyan (1907 – 2006) and her brother-in-law Nikolai Nikogosyan (born 1918); Harutyun Kalentz (1912 – 1967) and his wife Armine Kalentz (1920 – 2007). Three of the four continued even after the collapse of the Soviet Union, and their artistic endeavors provide rare insights especially for the younger generation into these two crucial epochs in modern Armenian art. For many young artists active 25 years after the fall of the Berlin Wall, it is difficult to conceive what life at that time was like.
The exhibition at the Kulturhaus Karlshorst, which runs until July 3, is part of the German-Armenian Cultural Days, an initiative taking place this year for the second time, which aims at strengthening the bonds of friendship between the two communities. Among the sponsors are the Association of European and Armenian Experts e.V. (AEAE), the Berlin Lichtenberg Department of Education, Culture, Social Affair and Sports as well as the InteriorDAsein/Berlin artist run space. Curators are Dr. Peter Michel, a leading expert in Soviet art, and Archi Galentz, artist and creator of InteriorDAsein, which houses many of the 30 works on display.
Mariam Aslamazyan.”Astern in a green glass” 2002. (Photo by Archi Galentz)
Perhaps Archi Galentz is the only person who could have put together such an exhibition. All four artists are his ancestors, and most of the works come from his collection, which he received as memoirs, or as pieces to be restored, or to put on display. But it would be wrong to reduce this to a family affair. Certainly, due to his personal relationship to the artists, he has been able to afford the visitor a privileged insight into their careers as well as their personalities. But his aim in presenting these works, shown here together for the first time, is to explore the question raised, not only by them, but by the younger generation that came after, the generation to which Archi Galentz belongs: how should we evaluate that period in art?
The catalogue for the exhibition, itself a little masterpiece, opens with a rich exchange of views between Michel and Galentz on this central theme. In their dialogue on “The Destiny of Artists and History,” art critic Michel noted that “before 1990 in Armenia and in East Germany there were in fact similar developments in the arts.” Following the collapse of the Soviet Union, “it was not a matter of chasing after some nebulous ideas of freedom, but rather of uniting artistic awareness of responsibility with the actually contradictory reality, not to throw grand human ideals overboard, but rather to preserve them and at the same time make people aware of the failures.” Artists in communist East Germany and those in Armenia adopted different means to this end; the former explored “the language of myths” whereas the latter became “conscious of the power of national traditions.” For Galentz, it is important in evaluating the Soviet experience to avoid “simplistic half truths,” for example, by pitting “communism” against “experimentation,” or “freedom” against some “party line” approach. In his view, the value of artistic expression cannot be reduced to formalistic criteria: “Soviet art was … involved in continuing a certain humanistic project, with the question, what kind of society one should live in, and how this sort of man should be, and so forth.”
Michel recalled an observation made by German painter Bernhard Heisig, who said, “The artist’s position in society – even in a socialist society – does not necessarily have to be negative. His significance does not have to lie exclusively in protest against his surroundings.” Such a negative approach in fact has given rise to ridiculous excesses, for example, among those, he said, “who confuse avant-gardism with the progressively creative,” that is, those who think anything “new” is necessarily creative or, that to be creative one has to seek novelty.
The four artists featured in the exhibition found themselves in a historical framework following the collapse of the Soviet Union in which, as Galentz put it, they had to “rediscover painting as their art form and field of interest.” The main theme of the exhibition is “the interconnection of two schools of realism” represented by these four classical artists: concentration in the traditional form of representation was developed by Mariam Aslamazyan and Nikolai Nikogosyan, both born in Armenia, after their education in Russia. As for Harutyun Kalentz and Armine Kalentz, who moved from the diaspora in Lebanon to Soviet Armenia, “it unfolded from the yearning to develop their own national ‘artistic language’ in great variety” in which paint functions as “a means to achieve depth in the canvas.”
Mariam Aslamazyan.”Chamomiles by the River Bank” 1953 (Photo by Archi Galentz)
Related through Art
Mariam Aslamazyan and Nikolai Nikogosyan are considered an artistic “pair” here, not because they were joined in matrimony, but because they worked together in art and had close family ties. Aslamazyan, Archi’s great-aunt, came from Bar-Shirak, a village near Gumri (formerly Leninikan) and had childhood memories of Turkish occupiers in 1918-1920. She studied art there and in Yerevan, as well as Leningrad, where she met fellow art student Nikolai Nikogosyan in 1938. She exhibited in Yerevan and Moscow in the 1930s, and moved to the Russian capital after the war at the same time that Nikogosyan did. In 1944 or 1945, he married a younger sister of hers (there were six girls in the family), and as a result of the close family relationship that developed, “one can consider the two,” Archi says, “as an artist couple. They lived and worked side by side for 60 years.”
Aslamazyan received wide recognition for her work. She was named a member of the board of Armenian Artists Association, was honored for her antifascist stance in the war and in 1990 received the title Peoples Artist of the USSR, but her fame extended beyond the Soviet Union. Her works were exhibited across Europe, in Mexico, Africa, and the Far East; she met world famous personalities like Indira Gandhi and she received prizes in India and Egypt. She loved to travel, and everywhere she went portrayed individuals from different cultural worlds, especially, but not exclusively, women: mothers and grandmothers, peasant women as well as ballerinas and actresses. With an energetic use of bold, bright colors, she also explored architectures and landscapes, be it cloisters in Armenia or city scenes from places like Calcutta and Bombay, Madras and Cairo. “I sought for my language in art,” she wrote. “I drew everything very thick, the color was extremely intensive; I wanted my pictures to make people happy.”
Whereas she was “active in painting, graphic arts and ceramics,” we read in the catalogue, her artist companion Nikogosyan “is known above all as a sculptor who also paints and draws.” Or, as he so aptly put it, “Sculpture is my wife and painting is my mistress.” Born in 1918, Nikogosyan, who is Archi’s maternal grandfather, is still active at 97 and has every intention of continuing. Truly a “living legend of Armenian and Soviet art history,” he left his native village Shagar in 1930 for Yerevan, then studied in Leningrad at the Institute for Painting, Plastic Arts and Architecture of the Academy of Arts. He exhibited as a member of the Soviet Artists Association, won numerous prizes, was named Peoples Artist of the USSR, appeared in 1956 at the Biennale of Venice, and continued to exhibit widely with personal shows. Armenians and foreign visitors know him for his monumental statues, crafted out of a variety of materials — bronze, plaster, wood, marble or granite — portraying, for example Avetik Ishakyan in Gumri and Mikayel Nalbandyan in Yerevan, or the sculpted portraits of Louis Aragon, Aram Khachaturian, Dmitry Shostakovich, the monuments to Komitas Vardapet and the fifth-century historian Moses of Choren, Vladimir Mayakovsky and Yuri Gagarin, among others. Among the pieces on display in Berlin is a profoundly moving piece, a study for a monument to Paruyr Sevak, seated in a pensive attitude.
No less impressive are the countless drawings and sketches by this extremely prolific artist, portraits which capture the psychological essence with great empathy. Among them his self-portraits, from 2006 and after, occupy a special place. They are, we learn, not designed to be ambitious representations of himself, but rather works in which the artist poses questions to himself, sometimes “ruthless, or thoughtful, sometimes bitter or angry…” They are the self-reflections of someone who, at that age, “loses his vanity in the self-consciousness of his life’s achievements and is at peace with himself.”
Harutyun and Armine Kalentz were more properly speaking a couple from the diaspora, Galentz told Michel. Archi’s paternal grandfather Harutyun was born in 1910 in Gürün, in central Turkey, into a family that traced its origins back to princely beginnings in the ancient Armenian capital of Ani. Armine Baronyan was 10 years younger, and came from Adabazari near Istanbul. Both Harutyun and Armine lost their fathers in the Genocide. Armine fled with her mother and siblings across the Syrian border to Damascus. After the death of his mother in an Aleppo hospital, Harutyun and his siblings ended up in an orphanage. It was there that the young boy’s artistic talent was discovered and encouraged. After studying with Armenian artists, he travelled through Syria and Lebanon, and in 1931 started working in Beirut in the atelier of French impressionist Claude Michelet.
It was in Beirut that Armine, who had discovered her own love for art while visiting Italy in the 1930s, met Harutyun and became his student. She worked with him on the Lebanon pavilion for the world exhibition in New York in 1939-40 and in 1943 the two married. Three years later they moved to Armenia, where they held exhibitions together and with other artists who had also returned, and won honors. In 1963, Harutyun was named Outstanding Artist of the Soviet Republic of Armenia and only four years later died young of a heart attack. Armine had begun to exhibit in personal shows internationally in 1963, with repeated appearances in the 1990s in the United States. She died in 2007.
Other times, other places
How has the work of these four artists, in their particular artistic and personal itineraries been received? As Armenian artists active during the Soviet period, how should they be considered? How were their works received, aside from official honors and titles? And how did they assess this experience? Archi Galentz, who has been in Germany for more than 25 years, says one cannot forget that Armenia was once part of the USSR. The men and women whose works he has put on display “were pillars of Armenian national art but also highly revered personalities in Moscow’s greatest museums.” For example, there are 26 works by Nikogosyan in the Tretjakow Gallery and a “Niko” Cultural Foundation is in the process of coming into being in the Russian capital.
It was often said that his grandfather Harutyun Kalentz, though acknowledged as a great artist, had not been truly appreciated. But Archi points out that, after his premature death in 1967, the Yerevan city authorities decided to turn his home into a museum. After the collapse of the Soviet Union, there were those who wanted to present him as an opponent of “the communist regime,” but if that were the case, Archi wonders, why was he spared in the 1940s and 1950s? His grandfather was certainly not a Russophobe, Archi can say for certain, and he must have realized the security for Armenia that Russia could provide at the time. He may have been an opponent but he cannot be classified as an enemy. In the catalogue both aspects of his political personality are reflected: in a brief account of his dismay at learning that the son of an artist colleague had died of starvation, one may see the opponent; yet he crafted a magnificent portrait of a Russian soldier in uniform in 1964 (a work which has curiously disappeared). His grandfather, Archi remembers, managed to walk a fine line, maintaining his independence and integrity. He succeeded in raising two sons and giving them higher education. Blessed with a patron, who purchased his works and introduced them to a circle of connoisseurs, one might think that compared to today, Kalentz lived the life of “a prince of painters in paradise,” says Archi. Living in his own house with a garden, he could paint whenever and whatever he liked, had adequate materials, could entertain guests, drink coffee with them or play his beloved board game nardi (backgammon). In 2010, on the centenary of his birth, the Galentz Museum opened in Yerevan, and in Armenia a commemorative stamp was issued. For his wife, Armine, life in the Soviet Union after 1946 was not easy. But she said she had no regrets about having moved there, since only there could she, as an Armenian women, find fulfillment as an artist.
As for Nikogosyan’s fame in Russia, there are a number of statues he was commissioned to create as a young sculptor, commemorative plaques, and critical studies of the period feature his activity. Aslamazyan, who lived to be almost 100 years old, died in Moscow and rests in the pantheon in Yerevan. In her native Gumri, an Aslamazyan Sisters Museum houses works by her and her sister, Eranuhi. At the same time, as Archi points out, they are also part of the Moscow cultural landscape.
Harutyun Kalentz. “Spring in the Garden” early 1950s (Photo by Archi Galentz)
These four artists, who have shared a common, though differentiated journey through turbulent times in life and art, emerge in the exhibition as highly individualized talents. The curators have taken special care to provide a glimpse of each as a singular personality, by including short passages from their writings. Thus, we read Nikogosyan’s account of a chance encounter with a man who bore a remarkable resemblance to Vincent Van Gogh, and whom he joined in a moving tribute to a deceased poet. We read of how Aslamazyan continued drawing literally up to her dying day. “I don’t get out of the house now,” she wrote in her nineties, “but in any case I get up at eight o’clock every morning and do my exercises, have breakfast and sit down in front of my drawing board. I draw 3 to 4 hours a day, otherwise I cannot live.” In this special collection of thoughts, entitled “Davtar of My Life” (2001), she concluded, “That is all; what comes next, I do not know.” In the same work, she philosophized: “What would happen if one had no dreams? A dream is the beginning of creativity. A dream is the future.”
Armine Kalentz, who exerted a profound influence on her grandson, also recorded her thoughts in a volume entitled, Longing … Valuable Recollections. Armine Kalentz about Herself. In one entry she reflects on the role of the creative person: “An artist is a lucky mediator between God and humanity. He finds the meaning of life in beauty, in that he reflects it in the soul and abandons himself unreservedly to this cause. This striving can also be hard however, when every time, disappointed, it uncovers a truth, and communicates incessantly with death.”
A Curse and a Blessing
When Nikogosyan’s daughter and Kalentz’s son met as art students in Yerevan, they fell in love and married. Their son Archi Galentz is not surprisingly also an artist, who has studied in Russia, Armenia and Germany, his current home. This “artist family dynasty,” as critic Michel puts it, recalls similar families, like the Brueghels, Cranachs and Giacomettis. Was this, he asked, a problem for the younger scion of the family?
Nikolai Nikogosyan.”Smiling Lady” 2005 (Photo by Archi Galentz)
Archi quoted the farmer’s adage that says: ‘Under a mighty tree no grass grows.’ Born into such a family he had to discover himself, find what was truly his own. Through extensive travel, he was exposed to a variety of artistic experiences, yet “the interest in the intellectual heritage of my grandparents stayed with me.” He had to come to terms with this past, in a spirit of respect although not without a critical approach. His heritage he considers both “a curse and a blessing”: a curse, “because some saw me as privileged, as one who could not rebel against the achievements of his forefathers. Most young people do not know the influence exerted by the generation of my grandparents, who lived and worked in a state in which there was injustice.” As for the blessing, this “lay in the fact that already as a teenager I was excited about the euphoria about change taking place in the Soviet Union. And when, from Berlin, I witnessed the collapse, that did not correspond at all to what I had seen in the life and work of my grandparents. So I have been forced to erect my own edifice of ideas, the way archaeologists put together a picture from the pieces of a puzzle.”
Archi did not know his grandfather and namesake Harutyun, who died young, but had the advantage of close relations with the others. Grandmother Armine impressed upon him the need to abide by one’s own convictions. And he enjoys the invigorating company of grandfather Nikolai Nikogosyan — “still, at an advanced age, a very vigorous person to converse with.”
As Kerstin Beurich, District Councilor for Education, Culture, Social Affair and Sports, noted, “Armenian painting is less well known in Germany than Armenian music.” This is certainly the case, and not only in Berlin. All the more reason then for such shows to travel to faraway places. It is to be hoped that this exhibition will be invited to other lands, especially those where the artists worked and exhibited, and where there is a large Armenian diaspora community. Would it not be wonderful to host this exhibition in New York and Boston or Los Angeles?
(Note: Quotes have been translated from the German catalogue text by the author.)
Turkish-German Relations: Threats, Taboos and Truth
By Muriel Mirak-Weissbach – Special to the Mirror-Spectator, JUNE 16, 2016
BERLIN — As the croupier at the roulette table says, “les jeux sont fait.” The die is cast. In the wake of the German Bundestag’s resolution recognizing the Armenian Genocide, the hysterical reaction from Erdogan and his co-thinkers has raised the stakes in a risky gamble with political counterparts in Europe, a game that Ankara, contrary to its delusions of grandeur, has no chance of winning.
Bundestag President Norbert Lammert (CDU) was not mincing words when he responded to Turkish President Recep Tayyip Erdogan’s intimidating threats against members of the parliament for its resolution on the Armenian Genocide. “That a democratically elected state president in the 21st century,” he said on June 9, “could link his criticism of democratically elected members of the German Bundestag with doubts as to their Turkish heritage, and designate their blood as impure, is something I would not have deemed possible.” He categorically rejected Erdogan’s insinuation that parliamentarians of Turkish background were “mouthpieces for terrorists” and underlined that “anyone who tries to exert pressure on single parliamentarians must know: He is attacking the entire parliament.” He added, “We will correspondingly react with all lawful possibilities that are available to us.” Lammert said the leaders of all parliamentary parties had asked him to speak out, “to voice our collective position once again, unequivocally.”
This time, Chancellor Angela Merkel, who had been absent during the genocide vote, was on hand, and applauded demonstratively along with government and parliament members to signal her endorsement.
In tandem, European Parliament President Martin Schulz, who is a member of Merkel’s coalition partner party the SPD, issued his rebuke with comparable forcefulness. In a letter addressed to Erdogan that same day, he repudiated the Turkish leader for having accused freely elected parliamentarians of terrorist sympathies for having expressed their views. “Such an act constitutes a complete breach of taboo, which I condemn in the strongest possible terms.” He went on: “As the president of a multi-national, multi-ethnic and multi-faith parliament, allow me to make the following point: the freedom of MPs to carry out their mandate as they see fit is a fundamental pillar of our European democracies.” The issue was not only institutional but also personal. Schulz wrote, “A string of the German Bundestag MPs you have personally attacked, but also Turkish parliamentarians affected by measures which you support, are among longstanding colleagues of mine; some of them are very close to me personally. I feel obliged to protect these colleagues wherever I can.”
Protection from Threats
The reference to protection was not metaphorical. Quite aware of the causal link that may obtain between threatening words and deeds of violence, the Bundestag members targeted by Erdogan’s ire have taken threats seriously. And the government and security agencies have responded with concrete measures. As Interior Minister Thomas de Maizière told the Frankfurter Sonntags Zeitung on June 12, “The threats against parliamentarians of Turkish background are unacceptable,” adding that \ Lammert had “found the right words for it.” De Maizière said security measures would be adjusted correspondingly. “Most of the 3.5 million people of Turkish background in Germany – I want to stress – are good neighbors and an important part of our society,” he said. “The criminals and extremists are individual cases.”
To take it seriously means to adopt enhanced security measures, like police protection at home and the office, and, if necessary, personal bodyguards. The German Foreign Ministry, according to a Spiegel report, advised against travel to Turkey, due to the heated atmosphere, which might have security implications for them. For those Bundestag members who have dual citizenship, the danger is very real; if they do go to Turkey, they may be arrested at the airport and charged with “insulting the Turkish nation,” according to the infamous Article 301 of the penal code. Conviction could lead to a sentence of six months to two years. The mayor of Ankara, who had sent out photos on the internet of the 11 German parliamentarians of Turkish descent, had also stated, “The traitors should be deprived of citizenship.”
The decision to upgrade security for those threatened came after a meeting of some Bundestag members from all parties with representatives of the BKA (Federal Criminal Police Office), Berlin police and Bundestag police. They described harassment and threats they had received, from hate mail, insults shouted on the street or from cars driving by. Through “social” media some women MPs were told to seek employment in a whorehouse, others suggested prominent MPs should take a vacation in Buchenwald concentration camp, and similar rot. Some MPs had avoided returning to their election districts over the weekend to keep a low profile. Women MPs had received warnings from neighbors to watch out for their children, some avoided playgrounds or favorite ice cream parlors; family members, whether in Germany or relatives in Turkey, were also bombarded with abusive attack. Cem Özdemir, Green Party leader and initiator of the recent genocide vote, was ostracized by a Turkish homeland club of his father’s, according to Spiegel online. Özdemir reported getting messages saying “At some point your German friends may forget it, but we won’t.” Or, more bluntly, “We can find you wherever you are.” Citing the judgments of friends of Hrant Dink in Turkey, Özdemir said, “One has to take this damn seriously. So – take it seriously, but don’t let yourself be intimidated.”
And Turkish Groups in Germany?
If official Ankara responded to the Armenian resolution with threats, slander and preparations for a “plan of action,” Turkish social and political groups in Germany had to take a stand. Lammert noted that the Turkish Society in Germany and the Berlin-Brandenburg Turkish Federation had criticized the attacks on MPs as unacceptable. “I would hope,” he said, “that also other Turkish organizations in Germany, some of them very big, would also take a stand for the MPs and for our democracy — with similarly clear and unambiguous declarations as they have issued often very quickly and very loudly, in other instances.”
Cem Özdemir appealed to these organizations to go on the record. “One does not have to find the [genocide] resolution good: I am ready to answer questions from people. But Turkish organizations have to denounce death threats unambiguously. Here there is no room for two opinions.” Addressing these groups’ desires for social integration, he said: “Those who want to be taken seriously here, those who want to have religion classes in our schools, they cannot stand on the ground of our Constitution only on their tiptoes.”
DITIB, the biggest umbrella group of Muslims in Germany, expressed its “loss of trust” in those MPs with Turkish roots. Representative Zekeriya Altug was quoted by Zeit online saying that if its members formerly had felt represented by these MPs, that was no longer that the case. But at the same time, DITIB General Secretary Bekir Alboga denounced the slanders and threats of violence as “illegitimate means to deal with differences of opinion and conflicts in a democratic society.” DITIB had cancelled an invitation to Lammert and two MPs to a Ramadan Iftar (fast breaking) during Ramadan, after having received threats.
Then there are those of Turkish background in Germany who have another idea. Turkish-German businessman Remzi Aru launched an initiative days after the Genocide resolution, for the creation of a new Turkish party here. Qualifying the resolution as a massive discrimination against those of Turkish heritage, and warning that all should “beware the beginnings!” he announced that “As of today, there is no German party that a person with Turkish roots can vote for. We are forced to found our own party,” as a result. This, he said, would “not be for Turks, not for Muslims, but for all people in Germany in whom this Germany awakens worst memories.” The party program draft which is circulating says it stands for a “self-conscious, traditional, but also open, multi-racial, multi-national Germany, which nurtures a healthy patriotism and national pride, instead of falling from one extreme into the other.” It calls on Germany to play an equilibrating role in the world, instead of “playing schoolmarm to other countries.” Aru has presented himself officially in German talk shows as a supporter and representative of Erdogan’s policies.
What European Membership?
What meager success a self-styled party for the Turkish (or Muslim) minority in Germany might reap will be seen when and if the project ever takes off. Whether the proponents know it or not, a significantly large proportion of Germans of Turkish descent have taken this citizenship after having fled here from political persecution, received political asylum and then a German passport. It would be wildly arrogant and just plain wrong to assume that most ethnic Turks or other Muslims in Germany would line up with Erdogan.
Far more relevant is the question, where does Turkey end up as a member of the European club? In short: nowhere. The greatest collateral damage that Erdogan’s hysterical outbursts have wrought will be tallied in Brussels. Martin Schulz spoke as president of the European Parliament. He had also said that, when MPs have to witness how “the highest organs of another state” question the guarantees for them as well as journalists and others to act free from repression, “that will not in the long run be without consequence for international relations.” The German Foreign Ministry, in discussion with a diplomat summoned from the Turkish embassy, had made clear that the affair was “not compatible” with close German-Turkish relations.
Without recourse to such diplomatic niceties, it can be said without hesitation, that the Mafioso-style theatrics played out by Erdogan have taken Turkey’s bid for European Union membership from the back burner to the garbage can. In recent discussion about lifting visa restrictions for Turkish citizens – a demand Erdogan made in the context of the refugee deal with the EU – it was specified that to receive this, Turkey had to accommodate EU conditions on terrorism legislation, among other things. In the wake of the recent horrendous terror attacks in Turkey, it is unlikely that the government will acquiesce.
But, that notwithstanding, European eagerness to welcome Turkey in the club has noticeably waned in the wake of the Ankara-Berlin rift. Again, Cem Özdemir was the one to set the record straight. Complaining that there had been a lack of honesty on both sides, he explained that Turkey had been dishonest, in that it had not introduced the required reforms. “It does the opposite: Turkey distances itself daily from the European Union.” But also in Germany, he said, the debate is not really honest. “Honesty would mean saying: With Erdogan, with this policy that Turkey is currently pursuing, there can be no membership.” One need little fantasy to imagine that in the 1000–room palace of the Turkish president, there was little understanding, not to mention applause, for Özdemir’s pointing to a time “after Erdogan.” But, he said what had to be said. And there are few, in Berlin, or Brussels, or elsewhere in Europe who would disagree.
In the last three weeks Turkey’s would-be president-for-life has made more political mistakes — too enormous to be dismissed as diplomatic faux pas — than his carefully-orchestrated personality cult can afford. For reasons to be examined in a psychological profile of the man, he is incapable of assessing the impact in the real world of the utterings of his narcissistic, paranoid personality disorder. To wit: among his ravings against Germany after the Armenian Genocide recognition, he accused Germany of hypocrisy: who were they to accuse others of genocide, he raved, when they killed 6 million Jews, murdered Hereros, etc.?
This crossed a line, and one with existential implications for the identity of the German Federal Republic. Chancellor Merkel was quick to respond. She rejected out of hand the insinuation that Germany had failed to come to terms with its past. In the resolution on the Armenian Genocide, she pointed out, it was explicitly stated that Germany recognized the Holocaust as a singularity in history. Germany had officially recognized that there had been no comparable crime in history, and acknowledged its guilt. Not only, she said, had Germany dealt with this past, but it continues and will continue to do so in the future.
As for Erdogan’s ravings about German guilt in the Herero massacres, Lammert made clear that it had been addressed and would be on the agenda of the Bundestag again.
Erdogan again had shot himself in the foot. It is not Germany which has declined to face up to its historical past. On the contrary: its years-long critical engagement with the Nazi past, its historical research, its education programs through genocide studies in the curricula, its encouragement of civil society activities, its ongoing process of reconciliation, and so many other aspects, make the German experience exemplary for others. In the specific instance: for Turkey. When will Turkey find the courage to follow suit?
Bundestag’s Genocide Recognition: A First Step
By Muriel Mirak-Weissbach – Special to the Mirror-Spectator – June 9, 2016
BERLIN — When the results of the vote were announced — all in favor, with only one nay and one abstention – the German Bundestag burst into applause. In the visitors’ gallery, rows of Armenians pulled out signs with the message “#Recognition Now says Thank you!” This was clearly a breach of parliamentary rules of conduct, but no one seemed to care. Then an Armenian flag was unfurled, another, more grave breach of conduct. Its bearer was discreetly escorted out of the hall. No matter.
Armenian women wept for joy.
“Finally!” — as Gregor Gysi of the Left Party had lamented during the debate, finally, at long last, the German parliament was declaring its recognition of the Armenian genocide, after years of hemming and hawing and hand-wringing. The news was cause for celebration, and not only for Armenians. Did the text have shortcomings? Yes, to be sure. And yet, the vote was a landmark decision.
The day will be remembered as marking the beginning of a new phase.
Whether it was coincidence or not, June 2, the date of the Bundestag debate, was the date in 1921, when the trial of Soghomon Tehlirian, the assassin of Talaat Pasha, began in Berlin.
Days prior to the vote, the draft resolution had been leaked to the press. Pressures erupted from opposite directions: if representatives of Turkey or Turkish lobbies in Germany warned against passage of the resolution, on pain of undermining or destroying German-Turkish relations, proponents of the move urged the Bundestag to be yet more explicit in formulating its own recognition of the Genocide. In the course of their session on June 2, parliamentarians of all parties addressed these concerns directly before passing it by a near unanimous vote.
After welcoming the many honored guests, including the Armenian Ambassador and Turkish representatives, Bundestag President Norbert Lammert opened the discussion with the categorical statement that “A Parliament is not a historians commission and certainly not a court of law,” a point to be reiterated by others. At the same time, Lammert said, the body could not and would not evade uncomfortable issues – like that of the genocide — when the Germans, who were wartime allies of the Ottoman Empire, were also guilty. “We Germans,” he said, “know on the basis of the dark chapters in our own history, perhaps even more than others, that dealing with historical events can be extraordinarily painful.” Germans, he added, have also been protagonists of such a process of working through the past self-critically and honestly, and have seen that, instead of endangering relations with other countries, it actually makes possible “understanding, reconciliation and cooperation.ˮ Virtually every speaker was to make the same point.
Lammert distinguished clearly between the guilt of the Young Turks for crimes of the past, and the responsibility of Turkey’s government today for shaping the future. In response to the rabid protest actions, including death threats that some Turkish groups had delivered against Bundestag members of Turkish background, Lammert declared such threats “aimed at preventing the free opinion on the part of the German Bundestag to be unacceptable.” “We will not accept them,” he said, “and we most certainly will not allow ourselves to be intimidated by them.”
One after another, parliamentarians stepped up to the podium to issue variations on the theme of guilt and responsibility, spelling out the fact that no one was putting Turkey on the stand. The resolution, in the words of Dr. Rolf Mützenich of the SPD, “is no juridical statement of claim,” a formulation repeated by Dr. Christoph Bergner of the CDU/CSU. Or, as his colleague Dr. Franz Josef Jung put it, “We are not concerned here with severely criticizing Turkey or putting it on the bench of the accused.” Demonstrations are certainly allowed, Mützenich said, but the Bundestag is also allowed to draw its own political conclusions from the debate on genocide, and will not be intimidated.
As if in response to criticism that had been raised in the public domain, that the lawmakers were not making their own recognition and denunciation of the genocide explicit enough, Bergner reflected on the change that had taken place since the centenary commemorations in April last year. At that time, what was primary was commemoration. “But it has become somewhat clearer in this session,” he stated: “what in the coalition formerly was disputed, that is, the fact that we can commemorate those events appropriately only if we use the term ‘genocide’ to describe them.” This is the only way to characterize the dimensions of the tragedy and to render justice to the victims. Dieter Nietan of the SPD underlined the same, forcefully: “We want to show the victims of this crime against humanity our sincere respect. If one is to be sincere, one must also say what that was. Thus: A genocide remains a genocide remains a genocide.” For Albert Weiler of the CDU/CSU, who is president of the German-Armenian Forum, “We have the historical responsibility to name the Young Turks’ atrocities by name and designate them as genocide.”
Germany’s historical role was a central theme for two reasons. First, because Imperial Germany was co-responsible for the genocide. For Gregor Gysi of the Left Party, Germany “acted as an accessory to the genocide.” Cem Özdemir, Green Party leader and leading proponent of the initiative, stressed that the purpose here was not to assume a holier-than-thou attitude, but to deal with it because it “is also a matter of a piece of German history.” To document the case, he cited an infamous statement by Imperial Chancellor Bethmann Hollweg, who said, “Our sole aim is to keep Turkey on our side until the end of the war, regardless of whether or not the Armenians as a result are destroyed.” And, to substantiate Germany’s awareness of the dimensions of the atrocities, he quoted Count von Lüttichau, the church representative from the German Embassy in Constantinople, who reported on the results of the policy in 1918: “In the eastern provinces, that is with the exception of Constantinople and Smyrna and other places in western Turkey, 80-90 percent of the entire population and 98 percent of the male population are no longer alive…. As far as the clergy are concerned, they have been practically exterminated.”
Özdemir contended that “the fact that in the past we were accomplices to this terrible crime can not mean that we should become accomplices to the deniers today.”
As a corollary to the admission of German complicity — and this is the second reason for highlighting the German role — speakers underlined the valuable lessons of modern Germany’s experience in having acknowledged the Holocaust, worked through it historically and reached reconciliation with Israel. While depicting the Holocaust as unique, the parliamentarians offered Germany’s post-war experience as a valid precedent for similar processing in Turkey. Virtually every speaker argued that, without recognizing and coming to terms with the past, there is no perspective for reconciliation. In this connection, it was also noted that the fact that genocide occurred under wartime conditions did not qualify or relativize the enormity of the crime. The current atrocities being committed in Syria today, by the same token, cannot be rationalized as collateral damage.
The Power of Truth
Weiler began his intervention with a famous quote by Friedrich Schiller, Germany’s national poet. In a lecture at the university of Jena on the subject of universal history, Schiller had said, “The greatest gift that man can give to man is truth.” The search for truth was an underlying theme in the Bundestag proceedings, as members, among them Cem Özdemir, pointed to the crucial role of truthful text books and other teaching materials, especially for students at the high school level. The battle to include Armenian Genocide studies in the curriculum in Germany has been being waged for years, and the sad state of available source material in Turkey is notorious.
In this light, it is most fortunate that Dietmar Nietan decided to speak out on this problem in bold terms. He said he was launching “an appeal to all young people, whether Turkish, Armenian, German or other background: Please do not believe everything you are told, what is in your text books, possibly even what we are telling you today in the Bundestag. I ask of you: Make up your own mind. Look through the documents that are available at the Foreign Ministry, which are for the most part in German, because they come from German diplomats. Form your own judgment. Let your heart speak, when you go through these documents and don’t let anyone persuade you that those who use the term ‘Genocide’ want to insult the Turkish people. No, the Turkish people are great and strong, and have no need to hide from their past, but can face it in self-confidence and humility. Fight for this to happen; for that is the right way to do justice to the responsibility that has been imposed on us by our history.”
History or Realpolitik?
In their frequent caveats against confusing moral-political judgments of historical fact with preoccupations with daily political maneuvers, Bundestag members were attempting to remove the salt from the soup. Fact is, the issue of genocide recognition has unfortunately become inextricably bound to immediate problems in relations between Germany and Turkey. If there are numerous plausible explanations for the continuing procrastination in Berlin on recognizing the genocide, the most obvious is the fear that it would jeopardize relations with Ankara, not only in routine diplomatic niceties, but that it could upend the EU agreement made to regulate the flow of refugees to (especially) Germany. The fear was not ungrounded, as President Recep Tayyip Erdogan intimated that any such move on the genocide issue could unravel the deal. He warned of a worsening of “diplomatic, economic, business, political and military relations.” Both he and his new Prime Minister Binali Yildirim, who called the resolution “ridiculous” and “a total fabrication,” called German Chancellor Angela Merkel on the telephone two days before the vote, to complain. (Erdogan would later claim that Merkel promised him she would block the passage by ordering her faction to vote NO, much in the same fashion he would order his party to vote this way or that. His version of the facts is unlikely, given that Merkel voted for the resolution in an internal faction vote prior to the Bundestag session.)
When the measure passed, Ankara responded in predictable fashion. Foreign Minister Mevlüt Casvusoglu called the resolution “irresponsible and unfounded,” government spokesman Numan Kurtukmus said it was “null and void,” Erdogan, at the time on an Africa tour, threatened “serious” consequences. The Turkish ambassador was recalled from Berlin and the Foreign Ministry ordered the German Embassy to send its diplomat in for a calling down.
Turkish press reactions were graphic. As picked up by German media, a critical paper Sözcü sported a picture of Merkel as Hitler, with a banner headline “Shame on you!” followed by the text: “Hitler’s grandchildren have accused Turkey of genocide. Germany, which committed genocide in World War II, massacring 6 million Jews, and which has prepared the way for our children to be martyred by delivering weapons to the PKK, has ratified the so-called Armenian genocide. We are furious!” Their fury, according to German press commentaries, was directed also at Turkish politicians for failing to stop the vote. Then Sabah, recently turned into a government mouthpiece, wrote, “Our brother-in-arms has stabbed us in the back,” whereas Hürriyet asserted that it was the German-Turkish friendship that had been subjected to genocide. Cumhuriyet spoke of “The Loneliness of 1915,” in that Erdogan and the AKP had “lost another diplomatic war.”
It seemed as though Yildirim were back-stepping on June 3, when he called on Berlin to “repair potential damage,” and indicated that there would not be a total break in ties. That same day, the Turkish parliament swiftly passed a resolution rejecting the Bundestag’s move, alleging that it was based on “unfounded Armenian mootings.” Then Erdogan escalated tensions in a speech given on June 5 at a private university in Istanbul. Germany, he said, “was the last country,” that should talk about “so-called genocide,” given its guilt for the Holocaust as well as the extermination of the Herreros.
Most serious was the tone and thrust of remarks he made the evening before, with regard to the German Bundestag members of Turkish background, whom he accused of being pro-terrorist. “It is well known whose mouthpiece they are,” he was quoted by Anadolu. “They are the long arm in Germany of the separatist terror organizations in this country,” with reference to the PKK. In his Istanbul speech, he reportedly targeted Cem Özdemir (without naming him). “Along comes a smart aleck,” he said, “and prepares something that he proposes to the German parliament. A Turk, some people say. Oh, what Turk. Their blood ought to be tested in a lab.” According to the German paper Welt Justice Minister Bekir Bozdag from the AKP sent a Twitter message on these parliamentarians: “People with such bad [sour] mother’s milk, with such bad blood, could never represent the Turkish nation.” The same source reported that Ankara’s mayor Melih Gökçek made a mock-up wanted poster with the mug shots of the eleven parliamentarians, which circulated widely in copies and on the internet, where users called for violence against them.
The parliamentarians are taking this seriously. Özcan Mutlu from the Green Party, told TV viewers on June 5 that he feared for his life, since “This quality [of threat] I have never experienced.” The danger is that some crazy nuts, hearing this talk, think that they’ve gotten some orders from above. “This way so many people have been killed in Turkey,” he told a German TV news program. As for Cem Özdemir, the main culprit according to Erdogan, he has reportedly been in discussion with German security officials, and his residence is under heightened observation. “Unfortunately, he told Welt, “there is also a Turkish Pegida,” referring to a group in Germany known for its racist, xenophobic views. “Right extremism is not a German privilege. It exists unfortunately also in Turkey and among German Turks.” Özdemir often draws a comparison between Turkey and Germany, as far as personal security for a political dissident or critic is concerned. Here in Germany, he said again in the June 2 session, he has no need to fear being persecuted or killed for his political positions.
Erdogan Caught in a Bind
It is to be hoped that Ankara’s escalated political rhetoric will not be translated into acts of violence, and that German political figures like Mutlu, Özdemir and others, whatever their ethnic background, may continue to enjoy their constitutionally guaranteed rights to free speech and political action in a climate free of fear. No matter what the threat level, the German political establishment will not vacillate.
And the future of the Turkish-German relationship, often cast as the Merkel-Erdogan duo? Considering the psychological parameters of Erdogan’s personality disorders, anything is possible; he could pursue his narcissistic fantasies and thereby place his government’s and his country’s relations with Germany and the EU in peril. Or, the vestiges of rationality may persuade him to accept certain facts of life: that, as Mideast expert Rainer Hermann has editorialized in the Frankfurter Allgemeine Zeitung, Turkey needs Germany as much as Germany needs Turkey. For all his blustering threats to break relations, Erdogan must know that without the partnership with Germany, his country’s economy would be devastated, foreign investments and trade would collapse (not to mention tourism); with a deteriorating economic situation, his political base would shrink and with it, his dreams of becoming the all-powerful president-for-life. In short, although it is painful for an autocratic personality to admit, he is not his own political man. It may be that he cannot live with an Angela Merkel who endorsed the genocide resolution, but it is 100-percent certain that he cannot live without her — or Germany.
(Note: All direct quotes have been translated from the German by the author.)
Genocide Is Genocide: Views from Berlin
By Muriel Mirak-Weissbach
Special to the Mirror-Spectator
BERLIN, JUNE 2, 2016 — The resolution on the Armenian Genocide, long awaited by the Armenian community especially in the diaspora, and long-feared by the Turkish establishment, is set to be put to a vote on June 2. As the Mirror-Spectator goes to press before that date, it is impossible to predict here how the proceedings will unfold and what they will yield. What is possible, however, is to present the content of the resolution, based on a draft proposal leaked to the press a few days before — a draft which as such is subject to changes in the course of the actual debate — and to sketch the parameters of the political debate it has unleashed.
The unified text agreed upon by the parliamentary factions of the Christian Democratic Union/Christian Social Union (CDU/CSU), Social Democratic Party (SPD) and Green Party, is entitled, “Remembering and Commemorating the Genocide against the Armenians and other Christian Minorities in 1915 and 1916.” In a series of premises, the Bundestag presents its position before listing demands it makes on the government.
The Bundestag honors “the victims of the expulsions and massacres of the Armenians and other Christian minorities of the Ottoman Empire which began over 100 years ago.” These “crimes of the then-Young Turk government … led to the near total extermination of the Armenians in the Ottoman Empire” and victimized other Christian communities, “especially the Aramaen/Assyrian and Chaldean Christians.” It was a “systematic expulsion and extermination of over one million ethnic Armenians.” To characterize it as genocide, the text cites a formulation used last year on April 24, 2015, by President Joachim Gauck, and repeated in the Bundestag debate that followed the next day: “Their destiny stands as exemplary for the history of mass murders, ethnic cleansing, expulsions, yes Genocide, which characterized the 20th century in such a terrible way. At the same time we know the uniqueness of the Holocaust, for which Germany bears guilt and responsibility.”
Further reference is made to last year’s commemoration: “On the centenary, April 24, 2015, speakers of all parliamentary factions in their debate and the German president on the evening before it, condemned the Armenian genocide, commemorated the victims and called for reconciliation.” And, as was the case a year earlier, the role of Germany is cited: “The Bundestag regrets the ignominious role of the German Empire, which, as the Ottoman Empire’s leading military ally, despite unequivocal information also from German diplomats and missionaries about the organized expulsion and extermination of the Armenians, did not try to stop these crimes against humanity.” And: “The German Empire shares the blame for the events.” Due to its complicity, Germany bears “a special historical responsibility” to facilitate the process by which Turks and Armenians work through the past in pursuit of understanding and reconciliation. This point is reiterated and elaborated, as the Bundestag expresses its support for all initiatives leading in this direction and urges the government to pursue the same. This refers not only to relations between Armenians and Turks but also to the state-to-state relations, whose improvement is “also important for the stabilization of the Caucasus region.” The text furthermore notes the “task for education in Germany, in schools, universities and political formation to take up study of the expulsion and extermination of the Armenians, including it in curricula and textbooks, as part of the study of the history of 20th century ethnic conflicts, to transmit this to future generations.”
A central point is that “Germany’s own historical experience shows how difficult it is for a society to come to terms with the darker chapters of its own past. Yet the honest reappraisal of history is the most important foundation for reconciliation, within society as well as with others. In this respect one must distinguish between the guilt of the perpetrators and the responsibility of those living today. Commemorating the past also reminds us to remain alert and to prevent hatred and destruction from threatening individuals and peoples again and again.”
On the basis of these premises, the text articulates what the Bundestag demands of the government, for example:
– in the spirit of the German Bundestag debate on April 25, 2015 on the centenary that it continue to contribute to a vast public discussion of the expulsions and near-extermination of the Armenians in 1915/16, as well as the role of the German Empire.
– that it encourage the Turkish side to openly deal with the past expulsions and massacres and thereby to lay a necessary cornerstone for reconciliation with the Armenian people….”
The emphasis in the demands is on promoting study and reappraisal of the past, seeking reconciliation and providing the means (scholarships, programs, financial aid etc.) to make this possible.
In a section on background, the text, referring to the “greatest and most serious catastrophe in the thousands of years of history of the Armenian people,” states that “Numerous independent historians, parliaments and international organizations characterize the expulsions and extermination of the Armenians as genocide,” and that this, along with religion and language, is of fundamental significance for their identity. It repeats that the German Empire knew everything, but did nothing. It states that Turkey denies the facts, rejects that it was planned, questions the figures, etc. Again, the importance of facing the truth is stressed as a precondition for reconciliation. As for the German Empire’s role, details are given on the efforts of Johannes Lepsius to raise the alarm with his “Report on the Situation of the Armenian People in Turkey,” and how the military censorship banned and confiscated it. A final note on the historical record pertains to the vast material in the wartime archives of the Foreign Ministry which documents the “systematic execution of the massacres and expulsions….”
The Resolution and Its Critics: The Turkish View
Foremost among the parliamentarians to be attacked by this coalition was Cem Özdemir, the Green Party leader who has led the Genocide resolution initiative. As he told the press, he had been called every imaginable name: “It’s always the same terms,” he said: “Traitor, Armenian pig, S.O.B., Armenian terrorist, even Nazi.” He remarked that the situation for parliamentarians in Germany, however, differs from that in Turkey. “No Bundestag member should fear being jailed or even killed,” he said.
On May 31, President Recep Tayyip Erdogan took action. Although his speaker had already announced that it would be better not to pass the resolution, Erdogan personally picked up the phone and called Chancellor Angela Merkel to warn that passage of the resolution would damage relations between the two countries. Appealing to Germany’s “healthy common sense,” he told Merkel, “If this text is accepted and Germany blunders into this trap, this could worsen all our relations to Germany, where three million Turks live and which is our NATO partner.” Merkel expressed her “concern.” Her office announced she would try to attend the vote, if her schedule allowed it. SPD faction leader Thomas Oppermann commented that “The Bundestag has a quorum even without Merkel and [Foreign Minister] Steinmeier.”
Call a Spade a Spade
If the draft resolution provoked rage and protests from Turkish quarters, it also raised serious questions from those who — Armenians or not — supported political action to condemn the genocide officially. One point singled out for criticism was the absence of any reference in the text to the Greek Orthodox, who should be included among the victims of the genocide. The most important criticism dealt with the way the text deals with the issue of genocide per se. Three leading public figures who are proponents of genocide recognition, sent an open letter on May 30 to the members of the Bundestag. They are Helmut Donat-Freiherr von Bothmer, whose Donat publishing company was a pioneer in issuing works on the Armenian Genocide; Steffen Reiche, former Bundestag member and parish priest; and Prof. Wolfgang Schlott, President of the Exile-PEN in German-speaking countries. The case they argue reflects the thinking of a significant segment of German civil society engaged in the Armenian issue.
Expressing concern that the lawmakers “are making a serious, irreparable mistake” in the draft, they write that the June 2 decision will carry consequences of political and historical nature, as well as in relation to international law. They assert that since 1915 the full truth about the Genocide has been “repressed, denied or at best ignored” by a succession of ruling bodies in Germany and that to recognize the Genocide means taking this into account. Instead, they state, aside from its title, the text deals with genocide only indirectly. They criticize the formulation which refers to the destiny of the Armenians as “exemplary for the history of mass murders, ethnic cleansing, expulsions, yes Genocide, which characterized the 20th century in such a terrible way,” saying it is “inappropriate and unacceptable” in the context of a century of silence on the issue. They criticize the fact that further references to genocide in the text are attributed to “numerous independent historians” or to speeches by parliamentarians and Gauck. The open letter includes a critique by Berlin genocide expert Prof. Tessa Hofmann, who reviews the German role in 20th genocides, from the Herreros and Nama in Namibia, to the Jews, Sinti and Roma in World War II; in the interim period, she writes, Imperial Germany was co-responsible for the Ottoman war crimes on Christians between 1914 and 1918. She attacks the repeated formulations “massacre” and “expulsions” which play down the fact that the deportations were in fact death marches. She also calls for stronger wording to include the Greek Orthodox victims.
The open letter makes its central point forcefully: “In no place does the resolution of the CDU-CSU, SPD and Green Party say that you yourselves consider and condemn the events of 1915 as Genocide. Yet this is precisely the issue – it is the evaluation of the legislative branch which you belong to. It is not a matter of whether Person X, various speakers or part of some professional group present the view that it was genocide.” The open letter therefore calls on the parliamentarians to alter the disputed formulations and/or to add: “The German Bundestag condemns the persecution, mass deportations and systematic killing of Armenians, Greek Orthodox and Aramaic speaking Christians by the Ottoman Empire as genocide.”
Mooting that the parliamentarians would never formulate a resolution on the Holocaust in such euphemistic terms, the authors of the open letter demand adequate, precise language. They underline the fact that “in evaluating the resolution draft, it is not a matter of hair-splitting, but of genocide – the most heinous crime in the history of mankind. And if the Bundestag takes a position on this, it must be unambiguous.” By the same token, they demand that the ignominious role of Imperial Germany’s role be clearly named and denounced.
A more detailed analysis of the genocide debate in Germany will be possible after the vote has been taken. One key aspect to be examined – and which the authors of the open letter reference — is the extent to which the entire issue has become a political football in the Realpolitiking world of relations with Turkey, then and now.
(Note: All quotations have been translated from the original German by the author.)
Of Politics and the PopeBy Muriel Mirak-Weissbach Special to the Mirror-Spectator, may 19 2016
VATICAN — Pope Francis is preparing to visit first Armenia, then Azerbaijan and Georgia. With this visit, he is trying to bring peace and hope to a region that has been recently beset by troubles. He will visit Armenia June 24-26, and in the autumn, go to Georgia and Azerbaijan. According to the program released by the Vatican press office on May 13, the Pontiff’s visit will be apostolic, but will also include political talks. On June 24, after prayers at the Mother Cathedral of Holy Echmiadizin, with greetings by the Catholicos of All Armenians Karekin II and the Pope, he will pay a courtesy visit to President Sargsyan in the Presidential Palace. Then he will meet with civil authorities and the Diplomatic Corps in the same venue, and will deliver a speech. Following this event, he will hold a private meeting with the Catholicos at his residence.
The second day, June 25, will begin with a visit to Tzitzernakaberd Memorial Complex, after which he will go to Gumri. There he is scheduled to celebrate Holy Mass in Vartanants Square and then to visit the Holy Martyrs Armenian Catholic Cathedral.
On his return to Yerevan, he will participate in an Ecumenical Encounter and Prayer for Peace in Republic Square. On the third day, Sunday June 26, he will meet with Catholic Bishops of Armenia in the Apostolic palace at Echmiadzin, then will participate in the Divine Liturgy in the Cathedral, during which the Catholicos will deliver the homily, and the Pope, greetings.
An ecumenical lunch is planned, with the Catholicos, archibishops and bishops of the Armenian Apostolic Church.
There will follow a meeting with delegates and benefactors of the Apostolic Armenian Church, and a Joint Declaration will be signed. His last visit will be to the Khor Virap Monastery, at the foot of Mount Ararat near the Turkish border, for prayer.
While it is impossible to know much about the content of the events, statements and declarations in his busy schedule, it is clear from the program that recognition of the genocide, ecumenical relations and perspectives for overcoming conflict with Turkey (and Azerbaijan) are on the agenda. Based on past performance, the Pope can be expected to speak out. As the Italians would put it, he is a person who “does not have hairs on his tongue.” No wonder, then, that his visit is awaited with such hopeful expectation.
In remarks made to the Catholic News Agency, the Armenian Ambassador to the Holy See Mikayel Minasyan stressed the importance of the visit for Armenians, coming as it does at the end of the centenary of the genocide and during the Year of Mercy proclaimed by the Pope. “The Armenians made the whole world see what it is to overcome an injustice,” he said. “They gave the possibility to the world to understand what a genocide is, what the denial of genocide is,” and recalled that the very term was coined on the basis of studies made of the Armenian genocide. The centenary, he said, had also been an occasion on which to recognize those who have supported the Armenians. Pope Francis stood out among them last year, when he offered a mass for the faithful of the Armenian Rite, in commemoration of the victims on April 12.
Ambassador Minasyan highlighted the historic significance of that mass, in the Pope’s “calling things as they are, creating another term, ‘ecumenism of blood.‘ An ecumenism,” he explained, “founded on blood, because the Armenians were exterminated also because they were Christians.” Minasyan stated, “Certainly Pope Francis made one of the most fundamental steps in celebrating the Mass in St. Peter’s inviting the hierarchy of the Apostolic Armenian Church and of the Armenian Catholic Church, and proclaiming St. Gregory Narek as a doctor of the Universal Church.” Minasyan said the Armenians were anticipating the Pope‘s visit “full of joy.” The Armenian people, he said, “are waiting with great excitement to manifest their own remembrance. Pope Francis is going to Armenia to fulfill this visit in full respect and love for the Armenian people and for their history.
And also,” he added, “the recognition of what the Armenian Republic represents now in that region.” Minasyan noted that the timing of the visit is particularly meaningful, in light of continuing denial of the genocide by Turkish authorities. “We are not closing this year,” he said, “turning a page. We are opening another book and this new book is titled, ‘the fight against denialism,’ and it is yet to be seen.” He considers recognition particulalry important considering what the genocide meant for the Middle East. “Now we see that in the past 100 years the quantity, speaking in percentages, of Christians is drastically diminishing. In the past five years, it has been something truly dramatic,” he said. “I don‘t want to put it into a box, but it all started with the Armenian Genocide.”
Erdogan Overplays His Hand
By Muriel Mirak-Weissbach Special to the Mirror-Spectator, May 19, 2016
BERLIN — There are good reasons to believe that on June 2, the German Bundestag (Parliament) will vote up a resolution recognizing the Armenian Genocide. The government coalition parties, Christian Democratic Union and Christian Socialist Union (CDU-CSU) and Social Democratic Party (SPD), plus the Green party, have agreed on a unified text, after intense debate and repeated postponements.
The title of the document is “Remembering and Commemorating the Genocide against the Armenians and other Christian Minorities in the Ottoman Empire 101 Years Ago.” This must have taken Turkish President Erdogan by surprise. Over the past weeks he has acted as though the agreement his government made with the EU over the refugee crisis had given him carte blanche in dictating European policy. According to the deal, Turkish citizens should be able to enter Europe without a visa, on condition Turkey comply with the preconditions, 72 in all. Among the requirements is a reform of Turkey’s notorious anti-terrorist laws, which currently allow the government to jail and maltreat journalists and human rights activists who issue critical views of its policies.
Erdogan demanded that visa restrictions be lifted by the end of June, and when EU refused, reminding him of the conditions (demanded of any country desiring visa-free privileges), he exploded in a fit of narcissistic rage. In public speeches he railed that if the EU did not capitulate, Turkey would “go its own way” and that the EU could negotiate with someone else.
On May 12 he escalated the rhetoric, claiming the conditions for visa freedom had been cooked up after the fact to sabotage the agreement: “Now they come with 72 criteria!” he complained. Not only; he accused the EU of providing “terrorists” weapons and money to destabilize his country. Referring to the EU’s alleged orders to terrorists, Erdogan stated: “They say: Go and divide Turkey. Do you believe that we don’t know that?” And he flatly refused to make any changes in Turkish anti-terror legislation: “Since when do you tell Turkey what to do? Who gave you this right?” It appears that Erdogan has grossly miscalculated the relationship of political forces.
The genocide resolution which he has feared is now on the agenda in Berlin, and no matter how loud the cries of protest come from Turkey, the politicians pushing it are resolute. “It may well be that there will be anger from Ankara,” Green Party leader Cem Özdemir, one of the initiators, told the tabloid Bild Zeitung on May 15. “But the Bundestag does not let itself be blackmailed by a despot like Mr. Erdogan.” Pointing to the historical documents in the wartime German Foreign Ministry archives, which are irrefutable, Özdemir continued, “After the decision of the Bundestag, it will be much more difficult for Turkey to deny it any longer.” Indeed, the German role historically considered has been and remains a key factor in the entire process. The leader of the SPD parliamentary faction Thomas Oppermann commented, “Germany, as the former main ally of the Ottoman Empire, bears a special historical responsability. This applies utterly independent of day-to-day political discussion about the refugee crisis. I am opposed,” he concluded, “to a subservient manner with Erdogan.” He advised against making the mistake of taking the wrong precautions.
And as for Chancellor Angela Merkel’s party, the CDU, its faction leader Volker Kauder highlighted the positive contribution genocide recognition can make to reconciliation: “We want to help [Turkey] work through its past, with the aim of overcoming what divides Armenians and Turkey.” In response so far Erdogan has reportedly dispatched his ambassador to lodge a protest against this use of the term “genocide.”
German-Armenian Ties Live On In Music
WIESBADEN, Germany, MAY 12, 2016 — When Bernhard Scheidt passed away in October last year, those closest to him thought long and hard about the most appropriate way to execute his estate. The German pianist and conductor, born in 1929 in Wiesbaden, had led a long and rich life in music, excelling as a student at the Detmold College of Music, and continuing with extensive studies under authorities like Theodore W. Adorno, whose seminar in Philosophy he attended at Frankfurt University. He studied Musicology with Gennrich und Schmitz, and Music Psychology with Prof. Albert Wellek. He was also a philologist, having studied Classical Philology with the leading authority Prof. Thierfelder at the Mainz University, and delivering a final paper on Cicero’s Somnium Scipionis.
Schedit prepared for his career as a musician by studying composition, piano, choir conducting and orchestra conducting under Prof. Günter Bialas, Prof. Conrad Hansen, Prof. Rudolf Thomas and Conductor Karl Elmendorff, respectively. Throughout his long career as a performing musician, he accumulated a vast collection of musical scores, not only for piano, on which he performed, but for ensembles and full symphonic orchestras, which he conducted.
The question for Sabine Meerwein, herself a professional solo soprano and Scheidt’s long-term companion, was: on whom should she bestow the valuable scores? Who or what institution might most benefit from such a gift, and at the same time, honor his achievements and memory?
On New Year’s Eve 2015, she happened to read an article in the local newspaper, the Wiesbadener Courier, about the Mirak-Weissbach Foundation and its work in Armenia, especially in support of musical education for youth. She was especially struck by the idea of developing children through the transmission of great culture. She contacted the foundation to ask whether it might be able to identify a worthy recipient of the scores. After several discussions with Armenian musicians in Germany and, through the Armenian Embassy, contact with the Yerevan Komitas State Conservatory, it was decided to make that institution the beneficiary. On March 30, a sealed palette containing the 350 pounds of scores was picked up in Wiesbaden and began its voyage overland by truck through Turkey and Georgia to Armenia.
Navoyan, who is chairman of the Academic Council, took us on a tour of the music school, named after the famous musicologist and composer Vardaped Komitas. His presence is everywhere. In the large entry hall, a huge bust dominates the vast wall, and greets everyone who passes through the monumental doors. In every room or corridor, as well as in the library, there are portraits of him gazing down at us. In the library, we are shown the reams of musical scores that students can borrow for research or practice. Some are organized in special collections, named after the persons who have donated their libraries to the conservatory. All the works in the library, whether scores or books, are catalogued both on index cards filed alphabetically in sturdy, traditional cabinets, with pullout drawers, all made of wood, and in computers in digital form. There are separate rooms hosting the collections of recorded music, on CD’s, records and DVD’s; here students can come to listen to and view performances.
A very special department is dedicated to ethnomusicology. In the tradition of Komitas, the department head has worked for years on compiling and editing traditional Armenian songs, which have been published in separate volumes according to region of origin. She showed us several of the volumes, as well as a huge book with the musical notation system of Komitas.
When we arrived in the office of Rector Shahen Shahinyan, Navoyan showed him some of the bound volumes that we had brought with us on the plane. These were a couple of collectors’ items which had been in bad repair, due to age and had been rebound. They included works by Beethoven and Mahler, among others, in beautiful editions. Shahinyan, who is a violinist, thanked us for the gift and wanted to know more about the foundation and the donor. My husband Michael explained that we were merely the messengers; it was Sabine Meerwein who made the donation, and we arranged for the transportation and delivery.
We learned that the Armenian musical education system has deep ties to the German system. Not only Komitas, but virtually every Armenian composer visited and/or studied in Germany, establishing a tradition that goes back in time. In the modern period, when Armenia was a Soviet republic, it had established 300 music schools, which exist to the present day. These are schools where students go for individual instruction, separately from the elementary or high schools they attend. If one considers that the population is about 3 million that represents a ratio of one music school for every 10,000 citizens! The problem that music schools, including the conservatory, face is financial backing, to provide the teaching materials required. For music schools, this may be manifest in the lack of instruments. In the case of the conservatory, it is musical scores that are extremely costly. So the hundreds of quality scores donated by Meerwein are most appropriate and highly appreciated. Given the close link between the German and Armenian musical traditions, it is also fitting that the lion’s share of the scores are for works in the classical German repertoire, from Bach and Beethoven, to Brahms, Mozart, Schumann, Schubert, and so on, issued by traditional German music publishers, many of whom hold the copyrights for the original (Urtext) editions. In addition, there are works by leading French, Italian and Russian composers. On Navoyan’s suggestion, the conservatory has decided to place these scores in a section of the library named after Bernhard Scheidt.
But the reason why this estate ended up in Yerevan is a story in itself. Neither Bernhard Scheidt nor Sabine Meerwein have Armenian roots. Or rather, Armenian family roots. As Meerwein explained when she first inquired about the foundation, her great-grandfather, Gustav Adolf Meerwein, was a Protestant pastor in Germany during World War I. Though it is not clear to what extent he might have had personal contact with Johannes Lepsius, he was well aware of his efforts to save Armenians. He knew Lepsius’s Report on the Situation of the Armenian People, which had alerted German public opinion to the genocide. In 1916, Lepsius had issued a call for Germans to save Armenian orphans, essentially by paying for their freedom and placing them in Christian foster families. Great-grandfather Meerwein had answered the call, even at the personal level. He pledged that, for every grandchild he would be blessed with, he would finance the adoption of an Armenian orphan and arrange for placement in a foster family. Sabine Meerwein estimates that up to nine Armenian children found homes this way. She said she was making the donation not only in memory of Bernhard Scheidt but also in memory of her ancestor.
The other reason why she chose Armenia had to do with her own intellectual background. Though a professional singer, she also took degrees in German and Romance literature as well as Latin American Studies. Among the five to ten books that most impressed her was Franz Werfel’s Forty Days of Musa Dagh, which showed that a person could take up the cause of the homeland and in so assuming new responsibilities, develop new qualities.
As she wrote in a short biographical sketch of Scheidt, “His outstanding activity as a teacher lives on in numerous students in their public performances and concerts today. Bernhard Scheidt’s legacy lies in the transmission and communication of the German and European interpretation tradition, which he was able to pass on to his students, thanks to his personal acquaintance with extraordinary artists like Maria Callas, Wilhelm Furtwängler, Pablo Casals, Wilhelm Kempff and Pierre Monteux.” Now it may be added that he continues to transmit this tradition through the musical scores of the works of great European composers, bequeathed to Armenian students in Yerevan.
Khachkar Dedicated in BerlinBy Muriel Mirak-Weissbach
The dedication ceremony opened with remarks by Dr. Raffi Kantian, President of the DAG, and Armenian Ambassador Aschot Smbatyan. As Dr. Kantian recounted, it was on the very same place on May 14, 1919, that the first commemorative service in honor of the memory of the genocide victims took place on German soil. Such an event “would have been unthinkable during World War I, due to Imperial Germany’s alliance policy” he said; but “the young Weimar Republic made it possible.”
An article published by the DAG’s journal at the time had reported that the mass had been celebrated by members of the Mkhitarist Order from Vienna, all in the Armenian language, and sung with the participation of the St. Hedwig’s choir. The article had noted that the service constituted a protest against the Turkish crimes, a protest delivered in a dignified manner. It wrote, “The fact that it took place in the capital of the German Empire, which had been a wartime ally of the Ottomans, gave this protest heightened significance and emphasis.”
Why had this particular church hosted that service? Kantian placed it in the context of the initiative taken in September 1915 by then-Pope Benedict XV, who had sent a hand-written letter to Sultan Mehmet V condemning the massacre of Armenians. There were several leading Germans who also raised their voices, among them Archbishop Felix Cardinal von Hartmann and lawmaker Matthias Erzberger. It may be that Erzberger, who was later to serve as minister in the first Weimar Republic government, attended the church service, Kantian said. And it is certain that Elly Heuss-Knapp, wife of the later President Theodor Heuss, was there; her mother was in fact Armenian.
Kantian highlighted the role played by Johannes Lepsius in informing German public opinion of the massacres in his famous Report on the Situation of the Armenian People in Turkey of 1916, which, though soon confiscated, had a decisive impact. Not far from St. Hedwig’s Cathedral is the Berlin Cathedral, where, as Kantian recalled, a commemorative mass was celebrated last year. Following that service, German President Joachim Gauck held an unforgettable address, in which he spoke of the genocide in those words, a prelude to the historic debate that took place in the Bundestag the next day.
The khachkar, Kantian continued, should be seen as “a symbol of peace.” It is dedicated to “the memory of the destiny of innumerable Armenians who fell victim to the nationalist madness of the leadership elite of the Ottoman Empire,” as well as in memory of the other victims. He presented the khachkar also as a “symbol, carved in stone, of brotherliness, without which there would not have been a church service almost a hundred years ago, or a khachkar here today.” Special thanks went to Anna and Artur Varchapetyan, whose generosity made the stone cross possible.
Ambassador Sambatyan said he was filled “with joy that does not find words” that the khachkar was being dedicated. He added his hope that “many, especially young people, will recognize this place – here in the heart of the German capital – as a memorial, and look into the events of 1915, the Armenian genocide in the Ottoman Empire, and gain knowledge they have not been able to find so far in school books and history lessons.”
Sharing the Gift of MusicBy Muriel Mirak-Weissbach
Students at the Anahit Tsitsikyan Music School in Yerevan celebrated the donation of new instruments in the most appropriate fashion possible: by playing them in concert for a capacity audience of friends and family. On April 25, guests gathered in the recital hall, which had been fully renovated in 2014, by the US Embassy’s organization Helping Hands and the Fuller Center for Housing Armenia. After a brief welcoming, all stood for a moment of silence in memory of the victims of the Armenian Genocide. Over the previous days, Yerevan had hosted international events commemorating the 101st anniversary, including the Aurora Prize weekend. In her introduction, the musicology teacher stressed that, as we remember the past, we commit ourselves to securing the future, and schools like this one are crucial to that effort.
The concert opened with a piano solo, performed by a young girl who had found a new home with her family in Yerevan, after fleeing war-ravaged Syria last year. Then, with piano accompaniment, students performed alone or in groups. Instrumentalists played works for the clarinet, violin or canon – both solo and ensemble — and vocalists included a female chorus of four as well as a full mixed chorus of students of all ages, the youngest five years old. The clarinet and solo canon were among the new instruments the school had received as the result of a crowd-fundraising effort launched by Ayo! and supported, among others, by the Mirak-Weissbach Foundation (www.m-w-stiftung.org). Ayo! (www.weareayo.org) was founded two years ago by the Fund for Armenian Relief (www.farusa.org), and sponsors development projects to assist children, elderly and socially disadvantaged people in Armenia.
As the school’s principal, Diana Hovhannisyan, had told me before the performance, we were not able to hear all the new instruments for one simple reason: since the school previously lacked wind instruments, it could not offer instruction for the clarinet, trumpet, flute or saxophone. Now, it has all these instruments, two of each, and will recruit teachers to organize classes for the numerous students who have expressed a desire to learn them. One young man had studied privately with his own clarinet, and it was he who inaugurated the new instrument during the concert. In addition to these wind instruments, the school received a new canon, which made its debut as well. During our next visit, Hovhannisyan promised, we would hear a wind ensemble perform.
The program offered at the concert presented a mix of traditional Armenian music and the classical European repertoire. Youngsters who study traditional Armenian music enjoy the support of the government, which covers tuition, whereas others must foot the bill themselves. This amounts to $12 – $15 a month, a considerable amount for the families in the low-income neighborhood where the students live. And, if the school does not have instruments available, the families have to purchase them. The more progress a student makes, the more important that quality instruments, like those donated, be available, no matter what the price. As Jemma Safaryan, the Ayo! Project Manager, remarked, “The instruments they received as a gift through our project made the children more excited and happy. They strive to work even harder, as now they have the one important thing that was lacking — the instruments!”
The enthusiasm and joy the students expressed was indeed rewarding. And to see the 5-year-old Volodya Sargsyan among them was a special treat. Not only does he sing in the full mixed chorus, he is also a gifted solo drummer, as we were privileged to witness in a short session he played for us after the concert. Surely, Anahit Tsitsikyan would be proud.